TheStar.com - comment - Making an art form of protest
Making an art form of protest
Aug 08, 2007 04:30 AM
Tracey Barnett
I've completely missed my calling. When I grow up I want to be one of the Yes Men.
This
group of "culture jamming" political activists, led by Andy Bichlbaum
and Mike Bonnano, pulled one of my all-time favourite satire-in-cheek
stunts.
They created a fake website posing as ExxonMobil
developers of a groundbreaking petroleum product called "Vivoleum."
From their site they garnered an invitation to be keynote speakers at
Go-Expo, Canada's biggest petroleum conference held last month in
Calgary.
They explained in gushing oil-speak that as a result
of the probability of global calamities the oil industry could "keep
fuel flowing" by transforming the millions of people who will
inevitably die into – um, oil.
The audience was then asked to
light their commemorative "Vivoleum" candles. They elaborated that
these particular candles were made from the flesh of an "Exxon janitor"
who died as a result of cleaning up a toxic spill.
It was only
when a video was shown of the supposed "dead janitor" professing his
wish to be rendered into candles after his death that the penny
dropped. Security escorted both men out.
Still in character, they
enlightened reporters, "We're not talking about killing anyone. We're
talking about using them after nature has done the hard work."
These guys are like an Escher poster of protest. Their zany theatrical
satire in action is my definition of what effective new millennium
protest should look like – creative, outrageous, thought-provoking, and
most of all – new.
Bra burning and boycotting worked if you
were 20 in 1968, but why does so much of the activist community look
like they've been jellied in aspic since then? The rest of the world
has sped past them.
A few innovators get it. The famously
anonymous Guerrilla Girls, with a tag line "Reinventing the F word:
Feminism," started showing up in gorilla masks in the late '80s in New
York to protest women under-represented in the art world. They took out
ads across city buses that read, "Do women have to go naked to get into
the Met [Metropolitan] Museum?"
The group conducted a "weenie
count" and found fewer than 5 per cent of artists shown at the museum
were female but 85 per cent of nudes were women.
Years ago
"Reclaim the Night" protests were well-intentioned, but they just
didn't work. I much prefer the efforts of Holla Back (from the
cheerleading phrase "holler back") whose motto against street molesters
is, "If you can't slap 'em, snap 'em." Their website's home page shows
people brandishing camera cellphones like a weapon, then showcases
pictures of the men who abused them on city subways and streets. Sister
groups have sprung up in Canada and Europe.
Why isn't "create your own media" every protest organization's new mantra?
The
Yes Men are infiltrating big government and corporate "evildoers" with
satire so savvy many don't realize they've been had until someone tells
them the king isn't wearing any clothes. The Holla Back website is not
just protesting street molestation, but transforming newer media into
their tool.
Put the placards away with the patchouli incense. If
you want change, start seeing protest as an art form your cause must
own and generate. You don't need a new message, you just need an
entirely new way to tell it – then we'll listen.
Tracey Barnett is an American journalist working in Auckland, New Zealand.