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The New York Times > Arts
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|  | | | UPDATED
SEPTEMBER 4, 2004 7:13 PM ET
|
 Literary Treasures Lost in Fire at German Library
By KIRSTEN GRIESHABER
A blaze in at the historic Anna Amalia Library in the city of Weimar has consumed thousands of works from the 16th to 18th centuries.
Slow Week for Art, With Few Exceptions
By RANDY KENNEDY
Besides a few conservative-oriented galleries and events, New York's art community and the visiting Republicans largely kept their distance.
 A Prize Novel Full of Truths That Stretch Believability
By BORIS FISHMAN
"White on Black," which won Russia's premier literary honor last year, details the Soviet Union's abuse of the handicapped.
 A Prankster Invasion in the Elephant House
By ERIC DASH
The Yes Men, a pair of politically charged performance artists chronicled in a new documentary, took aim this week at the Republican convention.
JAZZ REVIEW
In an Earthy Landscape the Mood Is Mellow
By BEN RATLIFF
The trio of Paul Motian, Joe Lovano and Bill Frisell, who play the Village Vanguard through Sunday, have discovered a mature brilliance in their 20 years together.
MORE ARTS NEWS
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Annegret Hultsch/Associated Press The Anna Amalia Library in Weimar, Germany, ablaze on Thursday.
DANCE REVIEW | URBAN BUSH WOMEN
Past and Present, Passionately Blended
By JENNIFER DUNNING
"Are We Democracy?," a dance piece by Urban Bush Women, and "Topsy's Lament," a video installation, entered this week's political fray with idealism and tragic comedy.
FRANK RICH
How Kerry Became a Girlie-Man
Only in an election year ruled by fiction could a sissy who used Daddy's connections to escape Vietnam turn an actual war hero into a girlie-man.
Archive | Forum
THE WEEK IN ARTS
Arts & Leisure
The New New York Skyline
Weekend
Mazel Tov: 350 Years of Jews in America
| 
| ART & DESIGN
Art Review | 'American Fancy': Whimsical Yankees. Fancy That.
Day at the Met, Pepper Mill at the Ready
Art Review | 'Andy Goldsworthy on the Roof': The Met and a Guest Step Off in Opposite Directions
Art Review | 'Single Wide': The Dark Night of a Woman, the Tragic Victim of . . . What?
Art Review | 'Monet to Matisse, Homer to Hartley': European Influences on Americans' Views
DANCE
Dance Review | Urban Bush Women: Past and Present, Passionately Blended
Dance Review | 'Forgiveness/Mourning': Humans Reach Out in Resignation and Touch Each Other in Infinity
Dance Review | Earl Mosley: Friendship Blossoms in Youthful Creativity
Up, Down and All Around the Town
Dance Review | Dallas Black Dance Theater: All Shapes and Sizes, Exuberant and Driving
MUSIC
Reverberations: Hair Rules on the Stage and Screen
Johnny Bragg, 79, a Prisonaires Singer, Dies
The Camera Can Wait: Directors Hear Opera's Call
The Latin Grammys Present a Variety of Musical Styles
The Music: An Anthem to America That's Easy to Swallow
TELEVISION
TV Coverage: Faced With Poor Ratings, Networks Soul Search
TV Weekend | 'The Inspector Lynley Mysteries': When the People Are Dead, It's O.K. to Stare
Fox Outdraws Big 3 Networks
The TV Watch: Just Barely Off Broadway, the G.O.P. Puts on a Show
TV Review | 'Hawaii': Lava and Oahu: Fighting Sin in Paradise
| | | |
THEATER NOTEBOOK
With Jaundiced Eyes and Barbed Tongues
By JASON ZINOMAN
"Homeland Insecurity," a pleasurable solo show, and a musical satire, "Dubya and the Gang of Seven," both offer unconvincing political critique.
MOVIE REVIEW | 'THE COOKOUT'
Upward Mobility Gets Further Up
By STEPHEN HOLDEN
This well mannered film wants to be an outdoor, barbecue-grilled "Barbershop" but lacks the pungency and honesty of its prototype.
READERS' OPINIONS
Join a Discussion on Dance
Is the dance world as politically engaged as the other performing arts?
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