Bottom Line: An entertaining swipe at corporate irresponsibility.
More Sundance reviews
PARK CITY -- In 2004, Sundance screened "The Yes Men," a
documentary about jocular anarchists Andy Bichlbaum and Mike
Bonanno, who engaged in a series of stunts to underscore the crimes
and misdemeanors of contemporary corporations. Bichlbaum and
Bonanno continue their dangerous games in a choice follow-up
feature, "The Yes Men Fix the World," that played to an
appreciative audience at this year's festival.
The original performed poorly at the boxoffice, but this film has a
better chance in today's climate: Audiences should be far more
receptive to a work lampooning the American free-enterprise system.
This movie is a hoot, and a pertinent one at that.
In the new film's opening sequence, Bichlbaum and Bonanno present
themselves as spokesmen for Dow Chemical prepared to make a major
statement on the plant disaster in Bhopal, India, that claimed
thousands in 1984. (The plant was owned by Union Carbide, later
bought by Dow.) Bichlbaum is interviewed on the BBC claiming to
represent Dow, where he apologizes for Bhopal and offers to pay $12
billion in reparations.
Amazingly, the apology is broadcast worldwide before Dow steps in
to disown the Yes Men. But they have accomplished their purpose of
reminding the world of the insensitivity of many major
corporations. Later the duo perpetrates similar pranks exposing
Halliburton and the federal government's response to Hurricane
Katrina.
The Yes Men's subversive purpose is commendable, but the film
acknowledges that there might be another point of view. After the
Bhopal prank, pundits ask whether the duo perpetrated a cruel joke
by giving survivors false hope. So Bichlbaum and Bonanno go to
India -- and, later, New Orleans -- to ask residents for their
reactions. A few admit they were disappointed upon learning of the
fraud, but others seem pleased that the prank called attention to
shameful neglect on the part of big business and government.
The film is edited energetically by April Merl, an important
collaborator for Bichlbaum and Bonanno. While the subject of
corporate greed and malfeasance is depressing, there's something
tonic about the impudent laughter this engaging documentary
provokes.
Production: Arte France, Article Z, Renegade Pictures U.K.,
Britdoc, Charny-Bachrach
Directors-screenwriters: Andy Bichlbaum, Mike Bonanno
Co-director: Kurt Engfehr
Producers: Andy Bichlbaum, Mike Bonanno, Doro Bachrach, Ruth
Charny, Laura Nix
Executive producers: Patrice Barrat, Alan Hayling, Jess Search,
Juliette Timsit
Music: Neel Murgai, Noisola
Editor: April Merl
Sales agent: Cinetic Media
No rating, 90 minutes
Film Review: The Yes Men Fix the World
By Stephen Farber, January 26, 2009 04:45 ET
Bottom Line: An entertaining swipe at corporate irresponsibility.
More Sundance reviews
PARK
CITY -- In 2004, Sundance screened "The Yes Men," a documentary about
jocular anarchists Andy Bichlbaum and Mike Bonanno, who engaged in a
series of stunts to underscore the crimes and misdemeanors of
contemporary corporations. Bichlbaum and Bonanno continue their
dangerous games in a choice follow-up feature, "The Yes Men Fix the
World," that played to an appreciative audience at this year's festival.
The
original performed poorly at the boxoffice, but this film has a better
chance in today's climate: Audiences should be far more receptive to a
work lampooning the American free-enterprise system. This movie is a
hoot, and a pertinent one at that.
In the new film's opening
sequence, Bichlbaum and Bonanno present themselves as spokesmen for Dow
Chemical prepared to make a major statement on the plant disaster in
Bhopal, India, that claimed thousands in 1984. (The plant was owned by
Union Carbide, later bought by Dow.) Bichlbaum is interviewed on the
BBC claiming to represent Dow, where he apologizes for Bhopal and
offers to pay $12 billion in reparations.
Amazingly, the apology
is broadcast worldwide before Dow steps in to disown the Yes Men. But
they have accomplished their purpose of reminding the world of the
insensitivity of many major corporations. Later the duo perpetrates
similar pranks exposing Halliburton and the federal government's
response to Hurricane Katrina.
The Yes Men's subversive purpose
is commendable, but the film acknowledges that there might be another
point of view. After the Bhopal prank, pundits ask whether the duo
perpetrated a cruel joke by giving survivors false hope. So Bichlbaum
and Bonanno go to India -- and, later, New Orleans -- to ask residents
for their reactions. A few admit they were disappointed upon learning
of the fraud, but others seem pleased that the prank called attention
to shameful neglect on the part of big business and government.
The
film is edited energetically by April Merl, an important collaborator
for Bichlbaum and Bonanno. While the subject of corporate greed and
malfeasance is depressing, there's something tonic about the impudent
laughter this engaging documentary provokes.
Production: Arte France, Article Z, Renegade Pictures U.K., Britdoc, Charny-Bachrach
Directors-screenwriters: Andy Bichlbaum, Mike Bonanno
Co-director: Kurt Engfehr
Producers: Andy Bichlbaum, Mike Bonanno, Doro Bachrach, Ruth Charny, Laura Nix
Executive producers: Patrice Barrat, Alan Hayling, Jess Search, Juliette Timsit
Music: Neel Murgai, Noisola
Editor: April Merl
Sales agent: Cinetic Media
No rating, 90 minutes